Aug 2, 2021
The Trends I see in Social Media
May 20, 2021
CineM Review: Diecisiete (Seventeen) 2019
As the number of characters go, the film ‘Diecisiete’ or ‘Seventeen’ in English is sparsely populated but it manages to showcase an amazing depth of the human condition through the lean cast. What the film seems to depict lies so apparently on the surface but once you invest time in the tale, you get to see innumerable little twerks in the details. The ‘road trip’ genre of films is characterized by the fact that it brings together a disparate set of characters who while seemingly tugged by different motivations, are nevertheless welded together by some common element. Another feature of this genre is that somewhere along the way, the story transcends into something more elevated than the destination – it becomes a parable about the journey itself. In all these, this small Spanish gem, Diecisiete, stays true to the beaten path but where it diverges, and diverges so eloquently, is the sincere way in which the characters are etched out and the honesty which lies behind their actions.
There is not much of a back story; we are
presented with the basic details. There are 2 brothers - the younger Hector, is
smart, focused and given to petty delinquencies; the construct of his mind is
portrayed as controlled yet fragile and his single-mindedness but utter guilelessness,
seems to hint at autism but is never made explicit. The older brother, Esma, is
nervous and acts in measured tones which suggest at a weariness and a resignation
towards readily accepting the hand dealt out. They are attached to their
grandmother who is now old and is housed in a care home.
As the film opens, Hector is up to another
petty crime but he is caught and interred in a juvenile home where his
peculiarities are in stark contrast with the other inmates. A paperback of the
country’s penal codes as a constant companion and his introverted demeanor does
not win him many friends there, and his multiple unsuccessful attempts at breakouts are something of an establishment joke. Yet, when he is introduced to
a rescued dog as part of his rehabilitation program, Hector undergoes a change.
He readily accepts and quickly relishes the job of training the mutt whom he
plainly names ‘Oveja’ (or ‘sheep’ in English) on account of his raggedy,
wool-like coat. Hector who has trouble relating to people nevertheless finds it
quite easy to communicate with and assume charge of Oveja and the dog too,
reciprocates the affection. His fragile world shatters when he is informed that
his efforts in training and socializing with Oveja have yielded fruit in securing
him a forever home. Unable to reconcile himself to this forced separation,
Hector makes yet another and now successful, breakout and the real story
unfolds from this point.
The tale finds the 2 principal characters
together by their grandmother’s bedside where the brothers clash over going
back to the juvenile home; Hector proclaiming that he will initiate search for
his beloved Oveja while Esma argues about returning in time by Hector’s 18th
birthday which is just 2 days away (once he turns an adult, any crimes
committed subsequently would be judged in a far harsher light). Grudgingly,
Esma agrees to Hector’s idea if it results in him getting back Oveja and returning
to the home to serve the rest of his sentence which is only a couple of months
from being over. With their grandmother in tow and in Esma’s RV, the brothers
embark on their journey to retrieve Oveja from his new owner and restore their
lives to the earlier equilibrium, or so they think.
Their search leads them through the canine rescue shelter where Hector ‘adopts’ a 3-legged dog, bucolic villages, long-lost relatives, an ancestral cemetery, et al. where the director and co-writer Daniel Sanchez Arevalo slowly explores the myriad nuances in the brothers’ characters. There is quiet, unobtrusive humor which emerges out of the milieu of hidden intentions and thoughts of the brothers. The grandmother perpetually attached to her life-support paraphernalia acts as a silent foil to the brothers’ shenanigans and despite her character’s senility and approaching death restricting her dialogues to the Spanish phrase ‘tarapara’ or ‘we will see’ in English, provides one of the true motivations of what lies at the heart of the brothers’ actions.
The story takes them through the mountainous
and coastal region of Cantabria and the beautiful photography seems to elevate
the geography into a side character almost. I feel the film is replete with
images as metaphors – the juvenile home which abounds in bullies, Esma’s RV
which is his flimsy excuse of a home, grandmother’s burial plot which is both
lost and within grasp at the same time – and the wonderfully rugged and at
times, peaceful Cantabria countryside serve to propel this unlikely tale
forward. The RV passes along road bordering deep ravines which seemingly evoke the
yawning differences in the brothers’ personalities and later, the pristine
coast fringed by cliffs symbolize the emerging calmness in their loves. In a
way, the towering cliffs are emblematic of the leap of faith which both
characters are required to take in order to embrace their true destinies.
This is a wonderfully evocative film which ultimately
surmounts the limitations of what we see as characters to portray a thoroughly
enjoyable tale of human nature, change and ultimately, hope.
I like to think of the three-legged dog who
becomes an unlikely companion on the road trip as you and I. Tired and beleaguered,
we all think we have lost an important appendage of ourselves on the journey of
life and are happy to clutch at any chance at a ‘safe’ existence only to
discover that there is apparently, a whole world of possibilities that we can strive
for and accomplish. And that thought urges me forward.
May 15, 2021
Cycling Away
When I was in school, I pestered
my father to get me a cycle, but I could not close the argument with him.
Beyond the plain metal frame and two wheels, my vision of a cycle was
unshakably tied to the notion of ‘freedom’, a devil-may-care attitude and the
capability to simply pedal away from life’s problems. Unfortunately for me, my
father too must have arrived at the same calculations as I and forcefully shot
down this puerile and feeble attempt at a rebellion. Added to my father’s
reluctance, was the very real problem of terrible traffic and road conditions
with so many vehicles jostling for space, absence of cyclist lanes, and a general insensitivity towards cyclists on the road. So ended my initial
attempt at cycling.
Now, two decades later and with
the wind ruffling through my hair, the sunlight on my face, the steady roll of
the twin wheels under me accompanied by the satisfied sound of rubber on
asphalt and gravel, I am living out my cycling fascinations of yore.
Working from home for the past
many months, stuck to a seat
Then, I got me a cycle – a used one – with a crude silver paint job, iffy brakes, a hard-as-stone (it seems!) seat, a paralyzed side-stand and non-functioning shock absorbers which deliver a truly tactile experience.
So, after my daily shift ends, I
cycle out into the unknown streets and lanes of my town, sometimes using my
phone navigation but mostly, just venturing out with no destination in mind. In
this way, I have acquainted myself with some pretty parks and trails nearby
which offer the joy of being under great trees, passing over bubbling brooks or
sitting on the newly-sprout green grass. Dandelions with their bright yellow
faces are growing all over like weeds, birds noisily chirp from their nests
among dense shrubs and thickets, squirrels and hares happily trot everywhere.
It is like a symphony of nature and my cycle affords me a ringside view like
nothing else. I stop wherever I feel like for however long I feel like; I rest
my cycle alongside a tree or just lay it over the grass while I contemplate my
place in these surroundings. I have started to take out my cycle for grocery
trips too, though there is the constraint of riding back fully weighed down by
my purchases which does not make for very smooth or enjoyable riding. Sometimes
I also ride through quiet neighborhoods with kids playing or cycling outside
while their parents engage in more mundane tasks of mowing the lawn, clearing
out deadfall or planting new bulbs out in the garden. My cycle is helping me in slowly exploring the place I call
home now.
My experience is also aided immensely by the
conscientious and generous attitude of people here on the road. Pedestrians and
cyclist have right of way on most crossings, there are designated cycle lanes,
sidewalks and pavements are well-maintained – all these go a long way in making
my ride easy and pleasurable. I can imagine how if I were growing up in this
country and my younger self would have asked my father for a cycle, I hear my
father happily saying ‘yes’.